These figures refer to caterpillars, worms or underwater beings but with abstract, almost symbolic aesthetics. Textures and wavy forms make shapes look alive as if they are moving in a communication metaphor. Interaction or even conflict between two people from the same world but with a difference.

• Two, four or more spiral, organic forms reminiscent of larvae or sea creatures.
• (Contact. Symbiosis, Birth of dialogue). Multiple entities with a similar color. but with a different entity they seem to be in different stages of transformation or evolving interaction.
• (Transformation, impact, dialogue).  Bioforms with smooth flow and organic structure. Their meeting is never the same. Forms are turned, recreated.
•  Natural beings are subject to change. They become or cease to be.
• Matter remains, but the forms (Species) change.
•  Birth and decay are two aspects of the natural process. Book A, Chapter 4 of Aristotle’s “On Genesis and Decay”. “And genesis and decay happen to those in the making.” (Genesis and decay occur in things that are in the process of becoming.)

“We live in the world of genesis and corruption.” Aristotle wrote.

A world where nothing remains unchanged. Everything is born, flourishes, wears out and then gives way to something new.

The works in this section emerge as entities that belong neither to the past nor to the present. Leaf-shaped, fluid forms, sometimes resembling spirals of cells and sometimes winds wrapping around themselves. Every curve and every layer tells a transition, a transformation. It is a living form that tries to exist, to dissolve and to start again from scratch. They are not representations of nature but figures that are revealed as I paint and come to light.

Each work is an act of birth, conflicts, conflict of cohabitation, love and decay. Because after wear and tear there is the possibility of a new beginning. A rhythmic and pulsating world, where everything is born and worn out again towards new forms. The inspiration is drawn from organic forms, shapes and structures found in nature drawing elements from living organisms.

These works depict the evolution of life, change, transformation, as well as the beauty and complexity of nature. They emerge as entities that belong neither to the past nor to the present. Forms of leafy fluids, sometimes resembling spirals of cells and sometimes gusts of wind wrapping around themselves. In this perpetual pulse, matter is formed, it becomes root, fruit, flower, body and memory.

As I paint, I feel that the form is revealed to me every day differently as it evolves on the canvas with my gesture, as if it exists somewhere in the dark and wants to come out into the light. Forms are born where space twists, when every layer of color, every swirl is a birth that will be imprinted and take its place in space, because art is not a description of reality but an expression of the unconscious. In art, as in life, nothing remains stable. Forms emerge, melt and are reborn, and this results in some reminiscent of organisms and others of the visual language of the amorphous, when the form does not denote an object but a state of mind.